Composition + Theory
Composition
The Composition part of our curriculum helps student composers develop their skills regardless of prior experience. Students can receive compositional training in a wide variety of genres, from the avant-garde to classical tonality, from jazz arranging to electronic music. Advanced students may participate in a composition seminar, which includes opportunities for readings, or informal performances, by professional ensembles and the MIT Symphony Orchestra.
Composition is also an integral part of many other music subjects, from Jazz Composition and Electronic Music to the Harmony/Counterpoint sequence, where students compose original pieces in various period styles.
Our composition faculty includes distinguished composers such as Derek David, Molly Herron, Pascal Le Boeuf, Keeril Makan, Charles Shadle, Evan Ziporyn, and Miguel Zenón.
Theory
The Theory part of our curriculum accommodates all skill levels and gives students a solid grounding in the harmonic and contrapuntal techniques of tonal music while expanding into contemporary practices in both classical music and jazz.
Theory is taught by our music theorists, music analysts, music pedagogy specialists, and composers.
Related Faculty
Derek David
Lecturer in Music
Molly Herron
Lecturer in Music
Sarah Iker
Lecturer in Music
Pascal Le Boeuf
Old Dominion Career Development Professor
Assistant Professor of Music
Garo Saraydarian
Lecturer in Music
Charles Shadle
Senior Lecturer in Music
Leslie Tilley
Associate Professor of Music
Evan Ziporyn
Kenan Sahin (1963) Distinguished Professor
Professor of Music
Director of Center for Art, Science & Technology (CAST)
Keeril Makan
Vice Provost for the Arts
Michael Koerner (1949) Professor in Music Composition
Professor of Music
Miguel Zenón
Associate Professor of Music
Related News
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